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	<title>Comments on: Shards of tempered glass (the Shards series)</title>
	<atom:link href="http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/</link>
	<description>My life, my sculpture...and other things</description>
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		<title>By: Cynthia</title>
		<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/comment-page-1/#comment-68</link>
		<dc:creator>Cynthia</dc:creator>
		<pubDate>Sun, 10 Jun 2007 21:50:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.morganica.com/bloggery/2007/05/28/shards-of-tempered-glass-the-shards-series/#comment-68</guid>
		<description>Thanks, guys. They&#039;re a LOT of fun to make although my failure rate&#039;s a lot higher than with more conventional techniques. The best-looking pieces seem to have the fewest layers of glass and the most open spaces, which means the glass-to-glass contact points are fewer and the piece is therefor more fragile.

Right now I&#039;m working on figuring out how to get the same effect with Bullseye glass and it&#039;s harder than you&#039;d think. ;-) But I&#039;m finding that I either like the glass techniques that really NUKE the piece, like casting, or the ones that alter the raw glass the least, like tack-fusing. Anything in between (at least for now) seems boring. Weird.</description>
		<content:encoded><![CDATA[<p>Thanks, guys. They&#8217;re a LOT of fun to make although my failure rate&#8217;s a lot higher than with more conventional techniques. The best-looking pieces seem to have the fewest layers of glass and the most open spaces, which means the glass-to-glass contact points are fewer and the piece is therefor more fragile.</p>
<p>Right now I&#8217;m working on figuring out how to get the same effect with Bullseye glass and it&#8217;s harder than you&#8217;d think. <img src='http://www.morganica.com/bloggery/wp-includes/images/smilies/icon_wink.gif' alt=';-)' class='wp-smiley' />  But I&#8217;m finding that I either like the glass techniques that really NUKE the piece, like casting, or the ones that alter the raw glass the least, like tack-fusing. Anything in between (at least for now) seems boring. Weird.</p>
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		<title>By: Karen Manasco</title>
		<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/comment-page-1/#comment-67</link>
		<dc:creator>Karen Manasco</dc:creator>
		<pubDate>Sun, 10 Jun 2007 20:17:26 +0000</pubDate>
		<guid isPermaLink="false">http://www.morganica.com/bloggery/2007/05/28/shards-of-tempered-glass-the-shards-series/#comment-67</guid>
		<description>Ah, yes, a project after my own heart!
Thanks to a DavesGarden.com member, I found your site.

I&#039;ve often wondered about firing tempered glass in my kiln, though sadly I confess, still awaiting 220 connections.

Sigh.

In the meantime I shall admire yours, and admire them well. Very nice work!

Karen Marie Manasco</description>
		<content:encoded><![CDATA[<p>Ah, yes, a project after my own heart!<br />
Thanks to a DavesGarden.com member, I found your site.</p>
<p>I&#8217;ve often wondered about firing tempered glass in my kiln, though sadly I confess, still awaiting 220 connections.</p>
<p>Sigh.</p>
<p>In the meantime I shall admire yours, and admire them well. Very nice work!</p>
<p>Karen Marie Manasco</p>
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		<title>By: Terri</title>
		<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/comment-page-1/#comment-66</link>
		<dc:creator>Terri</dc:creator>
		<pubDate>Fri, 08 Jun 2007 00:07:23 +0000</pubDate>
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		<description>Hey Cynthia!!!   THANKS soo much for sharing your information with us.  Those bowls are absolutely gorgeous!!  Can&#039;t wait to hit the local glass guy and get some glass!!</description>
		<content:encoded><![CDATA[<p>Hey Cynthia!!!   THANKS soo much for sharing your information with us.  Those bowls are absolutely gorgeous!!  Can&#8217;t wait to hit the local glass guy and get some glass!!</p>
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		<title>By: Brenda Griffith</title>
		<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/comment-page-1/#comment-65</link>
		<dc:creator>Brenda Griffith</dc:creator>
		<pubDate>Sat, 02 Jun 2007 15:36:34 +0000</pubDate>
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		<description>*grin* You are WAY more patient than I am! Good luck and have a great time at the Hood River Art Walk.</description>
		<content:encoded><![CDATA[<p>*grin* You are WAY more patient than I am! Good luck and have a great time at the Hood River Art Walk.</p>
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		<title>By: Cynthia</title>
		<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/comment-page-1/#comment-64</link>
		<dc:creator>Cynthia</dc:creator>
		<pubDate>Tue, 29 May 2007 15:58:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.morganica.com/bloggery/2007/05/28/shards-of-tempered-glass-the-shards-series/#comment-64</guid>
		<description>Thanks, Brenda. Well, I consider that in a Shards piece the whole assemblage is going to be a bit fragile in the kiln. These kinds of tack fuses are essentially odd shapes that attach to other odd shapes in weird ways--pretty much the opposite of the stable, symmetrical piece most firing schedules assume. So I slow the downramp schedule to a crawl, i.e, I triple the annealing soak time and step the cooldown in very slow stages, never getting above 100 dph. If I&#039;m using two-part molds (sand or not, because the inner molds are also pretty heat-retaining), I&#039;ll add fairly long soaks at each downramp interval to equalize the temperature across the mold. And I don&#039;t crack the kiln until it&#039;s been at room temp for at least 12 hours.

I&#039;m probably being conservative, but as far as I&#039;ve been able to learn, the extra time doesn&#039;t hurt anything but my (lack of) patience.</description>
		<content:encoded><![CDATA[<p>Thanks, Brenda. Well, I consider that in a Shards piece the whole assemblage is going to be a bit fragile in the kiln. These kinds of tack fuses are essentially odd shapes that attach to other odd shapes in weird ways&#8211;pretty much the opposite of the stable, symmetrical piece most firing schedules assume. So I slow the downramp schedule to a crawl, i.e, I triple the annealing soak time and step the cooldown in very slow stages, never getting above 100 dph. If I&#8217;m using two-part molds (sand or not, because the inner molds are also pretty heat-retaining), I&#8217;ll add fairly long soaks at each downramp interval to equalize the temperature across the mold. And I don&#8217;t crack the kiln until it&#8217;s been at room temp for at least 12 hours.</p>
<p>I&#8217;m probably being conservative, but as far as I&#8217;ve been able to learn, the extra time doesn&#8217;t hurt anything but my (lack of) patience.</p>
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		<title>By: Brenda Griffith</title>
		<link>http://www.morganica.com/bloggery/2007/glasswork/fusingtack-fusing/shards-of-tempered-glass-the-shards-series/comment-page-1/#comment-63</link>
		<dc:creator>Brenda Griffith</dc:creator>
		<pubDate>Tue, 29 May 2007 14:02:28 +0000</pubDate>
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		<description>Very nice! Curiosity compels me to ask: When you used the sand-filled bowl as a weight in your mold did you make any accommodation in your firing schedule for the heat retention of the sand?</description>
		<content:encoded><![CDATA[<p>Very nice! Curiosity compels me to ask: When you used the sand-filled bowl as a weight in your mold did you make any accommodation in your firing schedule for the heat retention of the sand?</p>
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