A note from Ernie

September 30, 2009

erniethanks

And a note from Ernie Monstrocat’s landlady:

This morning a perfect stranger walked up to me and gave me money. (And I WASN’T wearing my raggedy old studio clothes) “You’re Ernie’s landlady, right? This is to get Ernie to Atlanta.”

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Give Ernie a Lift. Please?

September 29, 2009

atlantaorbust

Ernie, is that my package of ham in your luggage?

It’s time to pull out the big guns, ’cause Ernie needs to get to his new family in Atlanta. So…wanna help a cat-about-town in need of a ride?

Ernie was scheduled to fly to Atlanta to take up his position of studio cat (the perks include his own little girl and a dog to fetch and carry). We’d gotten a clean bill of health from his vet, most everyone stopped in to say goodbye, and I got ready to (sniff) take him to the airport.

Yesterday I got a call from Ernie’s aunt. “The plane ticket’s more expensive than I thought. You’ll have to find some other way to get him there or find him another home,” she said.

Clunk.

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Gambler

September 26, 2009

spider

Gambles, especially foolish, futile ones, always steal a part of my heart.

Gloriously autumn day, the first really brilliant day of color in glassland today, so I flipped up the garage door and set to work. Or tried to. The first spiders of fall slowed me down quite a bit.

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Conversations with light

September 24, 2009

tomatooncar

Light and I have been in conversation as far back as I can remember. Most times, I just listen. Sometimes I get to talk back. Rarely–too rarely–we sing.

And it’s beginning to feel as though we’ll sing, soon.

When we sing, the light becomes a tangible thing, flowing like water, etching everything in its path, and I finally, blindingly, understand in my bones the definition of “illumination.”

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Ernie, soon to be world traveler

September 22, 2009

erniestudiocat

“Is Ernie busy this afternoon?” the caller asked, “I thought we could hang out together, if he’s free.”

I looked at Ernie Monstrocat, snoring on a chair in the studio. “What exactly did you think he’d be doing?” I inquired, “Taking a meeting at the White House?”

“Well, it’s Ernie,” she said, “You never know…”

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Calling all you single girls…

September 21, 2009

…ever think of applying product marketing tactics to the task of finding a mate?

Chrissy Conant has. Chrissy’s an artist who builds graphic installations that define her inner fears and musings.

That’s graphic as in “I’m not sure I’d bring a lunch to the gallery…unless I wanted to bring it twice.” She’s done a “girl rug,” which essentially looks like her, skinned and stuck in front of the fireplace. It’s actually kind of attractive in a Silence of the Lambs sorta way.

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Technology + Craft = Traft? Cranology?

September 19, 2009

Dresses that monitor (and display) your breathing patterns

Dresses that monitor (and display) your breathing patterns

In 1998 I was visiting the Philipps R&D labs in Eindhoven, looking at advanced microprocessor prototypes. It was fascinating to see what comes out of the heads and hearts of brainiacs, and envision what could be done with what was, at the time, pure research.*

So, ten years later, crafters are playing with it, and the term for it is either “craft technology” or “computational craft,” depending on whether you’re coming from the creative or geek side. (Or, if you have to publish this stuff where it doesn’t look good to have TOO much fun, it’s called “Integrating craft materials with computational components.”)

I just happened on Fashioning Technology, a blog and social network for people who incorporate high tech into fashion and craft, and I’m suddenly filling with ideas.

Which is kinda cool. So many geeks of my acquaintance are artists on the side that there’s a sort of inevitability about it. It’s pure crossover, which is something I adore.

I once taught a computer graphics class to art students who had little or no computer skills (dating myself here) on some of the most fabulous SGI equipment available at the time. I ran through 3D extrusion, showed them rudimentary animation techniques…and they shoved me aside, took off and flew.

Thirty minutes into the first class, they were doing stuff I didn’t know you COULD do. I believe I learned a lot more than anyone in that class. And I learned that the the best way to find new applications for tech is to shove it into the hands of creative people, then get out of the way.

I watched an experiment in Finland that did just that, gave an incredibly expensive CAVE and sciviz system to a couple of tundra villages and watched what they did with it. In a few months, they’d set up distance learning programs, mapped out local resources and started an art program that let people create in 3D.

Usually there’s a kind of Maginot line between techies and creatives, which is sad. Tech is too hard, creatives are too dumb, etc., etc…none of which is true. So it’s nice to see researchers partner with creatives, kind of a left-brain+right-brain=superbrain partnership.

Fashioning Technology looks at it from a crafter’s perspective. MIT and Colorado State take the computational craft view with their Craft Technology site, demonstrating some incredibly cool projects that I’d like to get in on. In Japan, they’re just building out a Craft Design Technology site on the subject with a first project, “electronic stationery,” that is intriguing (and not yet online, so keep checking back).

Now, it’s one thing to put this into fabric. Room temperature fabric. But glass? Microprocessors and casting temps don’t go together. Other sculpting materials? Maybe….I think there’s a way…and I’m beginning to cogitate on the subject.

If you’re interesting in joining my cogitations, lemme know….

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*For example, a researcher showed me a flexible microprocessor that could be woven directly into clothing. Paired with a mobile phone network and a chargeback system, it would allow people to walk into a store, pick out a jacket and leave without waiting in a checkout line. “This is much more efficient,” he said proudly.

“Yes, and it will certainly cut down on shoplifting and employee pilfering,” I added.

“What do you mean?”

“If a signal that the garment has left the store automatically triggers a charge to the closest mobile phone, it would make theft far more difficult,” I explained, “You could no longer just tuck a jacket under your coat and walk out with it.”

“Walk out with…why, that would be very rude!” he exclaimed, astonished that I would think of such a thing… Obviously, dishonesty hadn’t quite made it into his worldview.

Flutterbye

September 18, 2009

“I just love the way you put faeries into all your work. That’s what makes it soooo special,” she gushed, “I luuuuuuuv faeries.”

jacobeanroseShe was looking at “I Dreamt the Jacobean Rose,” one of several samples I’m pulling together for a prospective client and, frankly, it ain’t of a faery. Especially NOT a fashionably flirty flower faery. (say that fast five times)

I don’t want to stamp on anybody’s religion and I’m not making fun of people who luuuuuv faeries (well, maybe I am). But I have a sneaking suspicion that if there really are non-insectivorous winged beings hanging around peoples’ gardens, they SPIT on cute and fluffy. A little less giggly nectar-sipping and a whole lot more pounce-chew-gulp.

Hmmmm. Some day I might sculpt my version of real faeries. It won’t be pretty.

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Citizen Bane

September 17, 2009

Somewhere along the line we’ve invented a term, “citizen journalist,” to denote bloggers and other social mediasts who report without a net. Somebody pays them a measly sum to write about stuff that’s happening around them.

When I say measly sum, I mean it–$3 to $7 per story seems to be the going rate, which works out to one or two cents per word–and this is apparently justified because the citizen journalist is under no obligation to actually get it right.

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Cooper-Bresson

September 17, 2009

OK, I get street photography, photojournalism, documentary photography, pictorialism, fotografie verité, but here’s a new one: Fotografie felinité.

You’ve probably already heard about him, but a cat named Cooper, living in Seattle, strolls the streets near his home weekly, with a small camera strapped to his neck. It snaps a shot every two seconds; later, the people he owns run through the images, select the ones they like, and publish them on his website for him.

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