glass

Glassmaking: Morganica (Cynthia Morgan) demonstrates the technical and creative challenges of making art using glass through fused glass, coldworking, and experimentation. Primarily focused on the casting of glass, including pate de verre and reservoir casting, she also discusses less-used kinformed glass techniques such as tack-fusing, kilncarving, and pattern-bar development.

7 07, 2011

Coldworking Glass without Machines (book)

2021-06-15T14:16:56-07:00

Lemme borrow a writer’s proverb for a sec: I hate coldworking. I love having coldworked. More particularly, I love having coldworked by hand.* I’ve so far found nothing to match the incredible, silky finish you get with hand-coldworking a piece of glass, so I was really interested in Paul Tarlow’s new book, Coldworking Glass without Machines: A complete guide to [...]

Coldworking Glass without Machines (book)2021-06-15T14:16:56-07:00
23 06, 2011

BeCONica (Best of BeCON 2011)

2020-11-26T12:52:02-08:00

BeCON's over and done, my creativity is stirred, my glassjones are bubbling, and I'm bubbling over with new glassist friends. Here's a wrap-up of my 2011 BeCON reports--but if you don't want to read that, how about the best (and not so best) of BeCON 2011?

BeCONica (Best of BeCON 2011)2020-11-26T12:52:02-08:00
19 06, 2011

BeCON 2011, final day

2017-10-07T18:03:25-07:00

The presence of Portland Farmers Market a few yards away might be reason enough to attend BeCon, Bullseye's biannual glass conference, but there are others. I usually gain fresh insights, and the one I picked up this year was a doozy, quite possibly not one intended by our hosts: Glass isn't a medium, it's a crutch. We don't need to cross over as much as we need to throw away the crutch. (Honk if you think that's scary)

BeCON 2011, final day2017-10-07T18:03:25-07:00
18 06, 2011

BeCON 2011, Day 1

2020-11-26T12:54:11-08:00

If yesterday's BeCON was about art vs. craft, today's was about superstars, the rovers who successfully made the trip from glass artist to artist, or who retained an open enough mind to cross into kiln forming for awhile. Or at least it started out that way, since the opening presentation was Lino Tagliapietra, Dante Marioni and Marc Petrovic talking about the intersection of glassblowing and kilnforming with BE research dude Ted Sawyer.

BeCON 2011, Day 12020-11-26T12:54:11-08:00
17 06, 2011

BeCON 2011, Day 0.5

2021-06-15T14:17:07-07:00

You can generally say three things about the first half-day of Bullseye's BeCON glass conference; It's the world's longest half-day (about 16 hours this time), it involves a lot of hugging, and the best part happens after 7pm. Thank heavens they didn't decide to make this a FULL day.

BeCON 2011, Day 0.52021-06-15T14:17:07-07:00
13 06, 2011

Crossoverness

2016-05-16T00:28:26-07:00

Glassists are swarming like bees into Portland (AKA "glassland"). I've got a houseful, my friends are equally full up, and we're all getting ready for BeCON, Bullseye's biannual conference on glass art. It starts Thursday afternoon with keynotes and gallery receptions, ends Saturday night with lehr-baked BBQ ribs (from pigs, not attendees). In between we'll listen to lectures, gorge on Portland Farmer's Market goodies, watch demos and talk about...(drumroll)...glass.

Crossoverness2016-05-16T00:28:26-07:00
24 05, 2011

Fusathon 2011

2020-03-02T07:44:35-08:00

We came, we fused, we laughed. That pretty much sums up this year's Fusathon which, when you think about it, means a pretty good time was had by all. Fusathons, for those of you who don't know, are the Oregon Glass Guild's annual charitable fusing parties.

Fusathon 20112020-03-02T07:44:35-08:00
5 05, 2011

Show tunes

2017-10-07T18:02:26-07:00

Definition of exhausted: Me. Actually, I'm writing this the day after the Gathering of the Guilds, an artist-owned art fair that I'm told is the largest west of the Mississippi, so you'd think I'd be recovered by now. But this is the 11th year the Oregon Glass Guild participated, and only the second year that *I* shared a booth at the show so, as with last year's show, I ran myself ragged. And found out I still have a LOT to learn. I am--for those of you who don't follow this blog--a show newbie. What I don't know about being an art/craft fair vendor could fill an encyclopedia. On the off chance that there's someone out there even more clueless about shows, I figured it'd be kinda constructive to discuss the things that went wrong (and right).

Show tunes2017-10-07T18:02:26-07:00
18 04, 2011

Touchable glass

2017-10-07T18:02:06-07:00

Glass may be one of the most untouchable of artforms--its strong relationship with light and color makes it extremely visual anyway, and its fragility and razor-sharp fractures most likely reinforce the "eyes only" notion. But what if that's not an option? Why can't artists create glass that speaks to the visually impaired? This is something ELSE I'm learning from this little informal teaching stuff I've been doing. (I gotta wonder if the whole reason you teach is to be able to learn more.)

Touchable glass2017-10-07T18:02:06-07:00
11 04, 2011

Playing in the sandbox

2019-05-02T10:33:01-07:00

Fun little project, which started with my urgent need for about 600 glass cabochons for a craft fair. I began cutting up dozens of failed projects, roughly shaping and firing them into cabs ranging from about a quarter-inch to 3x3 inches. Sometimes the results were spectacular, sometimes not...but my absolute favorites came from failed boxcasting experiments. I decided to make [...]

Playing in the sandbox2019-05-02T10:33:01-07:00
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